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SYNOPSIS / Editorial Review about - Little Cheung
Little Cheung grows up on the streets of Yau Ma Tei where his parents run a small restaurant. Cheung lives with a grandmother who loves to watch Cantonese opera, a Filipina maid who takes care of their meals and daily living. However, Cheung's granny passes away and his maid is discharged by his father. The boy then finds out that his elder brother has left home too and consequently has big row with his father. Finally, even his only friend Ah Fun faces deportation. Good times seem to have deserted Little Cheung.
'Little Cheung' is the concluding part to director Fruit Chan 's Hong Kong 1997 handover trilogy, it's predecessors being 'Made In Hong Kong' and 'The Longest Summer'. Chan turns this loose retelling of veteran opera singer Tang Wing Cheung's youthful days into a social commentary of pre-handover Hong Kong. The film has less angst and more doses of humour, than its predecessors. The successful casting of virtual unknowns raises the movie's credibility.
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