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Shu
Qi is one of the most prolific and gifted actresses of our time, Shu Qi
rose to the top of the Asian movie scene garnering multiple awards and
critical acclaim along the way. Born on April 16, 1976 in Taiwan, Shu
Qi began as a model for adult magazines and other erotic photography.
It did not take long for her to star in various soft porn films, before
eventually switching to mainstream films.
Despite having one
of the most appealing faces in Chinese cinema, she has never learned English,
and because of this has rarely appeared in films outside of China.
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Biography of Shu Qi
At
17, Shu Qi started modelling, with a face and body to die for, Shu Qi soon was
doing nude picture series. Seing her face on a magazine cover, Hong Kong producer
Manfred Wong tracked her down and became her agent. He signed her for Sex &
Zen II, a category III (adults only, soft porn) movie.
After
that Shu Qi starred in Viva Erotica, which won her recognition and several prizes.
In 1997 her manager Manfred Wong told TIME: “If you’re an unknown
and from Taiwan, there is no such thing as doing art and high-class films. Shu
Qi knows if she doesn’t strip, she can’t be a star.”
After
Shu Qi awards for "Viva Erotica", Shu Qi started getting roles in
typical Hong Kong movies. She showed off that gorgeous body, she smiled her
dazzling widescreen smile and she fluttered around as a no-brain butterfly (how
Hong Kong movies see a lot of their female stars). But when Shu Qi was allowed
to act ("For Bad Boys Only", "City of Glass" and "Portland
Street Blues"), she showed enormous potential.
For
a movie star to cross over from (soft) porn to mainstream is extremely difficult
– and nearly unheard of in Hong Kong. For any actress anywhere to get
good female roles with meat on them is very hard as well. When you see a good
role – grab it fast. Shu Qi got the chance in "Crouching Tiger, Hidden
Dragon". Ang Lee’s first choice for the role of Jen (Zhang Ziyi got
it) was Shu Qi. She was on board for eight weeks, before she was pulled by her
manager Manfred Wong – to do a commercial for Coca-Cola in Japan!
If
Wong succeeds in keeping her locked in the local industry’s churn-out-the-crap-fast
way of doing business, we may never see Shu Qi live up to her full potential.
But
there is hope yet. Leading roles in movies like Millenium Mambo, Beijing Rocks,
The Transporter and several upcoming projects shows a tendency towards better
roles to showcase Shu Qi’s talent as a powerful actress – and not
just a knock-out body with a trademark dizzying smile. As much as we like to
see 5-6 new films with Shu Qi every year, we would much prefer to see her in
one or two really good films. For that to happen, Shu Qi would probably have
to look outside Hong Kong. Luckily, several directors outside of Hong Kong and
Asia are starting to be aware of, what Shu Qi can do. If she is lucky and chooses
wisely, we may see her on the podium at a future Oscar-night.
Extras
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